Frank Cho / Greg Rucka Wonder Woman Sexism Controversy

Comic book artist Frank Cho has quit cover duties on the Wonder Woman comic after a dispute over sexism. Cho had been contracted by DC Comics to do 24 variant covers for Wonder Woman. Instead Cho is leaving after the sixth cover.

In an interview with Bleeding Cool, Cho blames Wonder Woman writer Greg Rucka for him leaving:

All the problem lies with Greg Rucka.

EVERYONE loves my Wonder Woman covers and wants me to stay. Greg Rucka is the ONLY one who has any problem with covers. Greg Rucka has been trying to alter and censor my artwork since day one.

Greg Rucka thought my Wonder Woman #3 cover was vulgar and showed too much skin, and has been spearheading censorship, which is baffling since my Wonder Woman image is on model and shows the same amount of skin as the interior art, and it’s a VARIANT COVER and he should have no editorial control over it. (But he does. WTF?!!!)

I tried to play nice, not rock the boat and do my best on the covers, but Greg’s weird political agenda against me and my art has made that job impossible. Wonder Woman was the ONLY reason I came over to DC Comics.

To DC’s credit, especially [Art Director] Mark Chiarello, they have been very accommodating. But they are caught between a rock and a hard place.

I just wanted to be left alone and do my Wonder Woman variant covers in peace. But Greg Rucka is in a hostile power trip and causing unnecessary friction over variant covers.

Frank Cho Wonder Woman Covers

Frank Cho Wonder Woman Covers
Frank Cho Wonder Woman Covers
Frank Cho Wonder Woman Covers
Frank Cho Wonder Woman Covers
Frank Cho Wonder Woman Covers
Frank Cho Wonder Woman Covers

Frank Cho Sexism Controversy

Cho first attracted controversy by doing a sketch variant of the Spider-Gwen comic emulating a pose from Milo Manara’s  Spider-Woman  comic book that had been attacked for using sexually exploitive and unnatural poses for the female characters.

Frank Cho Spider-Gwen Cover
Frank Cho Spider-Gwen Cover

Writing about the cover, The Mary Sue said, “Aside from being an obvious poke at “those angry feminists” who “overreact” to things, the cover is also an unfortunate but elucidating look at what some men think about women who are trying to carve out a space for themselves in the frequently misogynist world of comics – where they feel objectified and overly-sexualized on a regular basis.”

Cho responded to criticism about him for alleged sexism in an interview: “As a life-long liberal Democrat and advocate for free speech and equal rights, it fascinates me to see when ultra-liberals become ultra-conservatives where they see injustices everywhere and cease to see reason, and start oppressing people who they disagree with. Thanks to the social media, we have entered into a dangerous era of Salem witch trials where no one is safe. Everything is being attacked everywhere in this hypersensitive atmosphere: The movie Grease (Sexualizes teenagers), Road Runner cartoons (Violence against animals), Game of Thrones. (Promotes rape and injustices against women.) The list goes on.”

He added: “I’m simply fascinated by how these few critics came riding in on their high horse and tried to paint me into a monster. In their eyes, I went from an artist who writes and draws strong independent female characters to a morally bankrupt pervert overnight simply because I drew a comic book character for a fan that they found offensive. It’s scary if you think about how much power the social media have given to these fringe voices.”

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